Remembrance: A Georgian, A Canadian and Red Poppies


Since World War I, poppies have been a symbol of remembrance at Memorial Day (May 30 this year). The red poppy was used to symbolize the blood of those who died in service to their countries.

The idea started in 1918 when Moina Michael, a professor and humanitarian from Good Hope, Georgia, read the poem In Flanders Fields, written by Canadian John McCrae in 1915 during World War I.

In Flanders fields the poppies blow
Between the crosses, row on row,
That mark our place; and in the sky
The larks, still bravely singing, fly
Scarce heard amid the guns below.

We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
Loved and were loved, and now we lie,
In Flanders fields.

Take up our quarrel with the foe:
To you from failing hands we throw
The torch; be yours to hold it high.
If ye break faith with us who die
We shall not sleep, though poppies grow
In Flanders fields.

Moina began wearing poppies in memoriam and sold them to others, using the proceeds to help veterans. After World War I, veterans sold artificial red poppies to help raise money for war orphans. Today, donations to veterans’ groups are often marked with a token paper red poppy.

Known as the 'Poppy Lady' for her humanitarian efforts, Moina  received numerous awards during her lifetime. In 1948, four years after her death, the U.S. Postal Service issued a commemorative stamp honoring her life’s achievement. In 1969, the Georgia General Assembly named a section of U.S. Highway 78 the Moina Michael Highway.

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Bonnie Morét is an award-winning photographer recognized by The Georgia Council of the Arts as "an exceptional representation of contemporary Georgia art work." Her photography is featured on Georgia Public Broadcast's Georgia Traveler. Her exhibitions include Fifth Annual Exposure Awards at Musee du Louvre in Paris, France, Art Takes Miami at Scope Art during Art Basel Miami, Metro Montage XIII at the Marietta/Cobb Museum of Art, World of Water at the Georgia Aquarium, Open Walls at Black Box Gallery in Portland, Oregon, Wholly Georgia: A Look at the Effects of Southern Religious Culture, sponsored by the Art History League and Georgia State University, at Mint Gallery in Atlanta, Georgia, 6x6 at the Rochester Contemporary Arts Center in Rochester, New York, @Phonography: Dialogue in the Wireless Age, at 3 Ring Circus in New Orleans, Louisiana, and About Lands and Lives of the Civil War at the 6th Cavalry Museum in Ft. Oglethorpe, Georgia. Her photography appears in Modern Luxury/The Atlantan, Jezebel Magazine, and hangs in the executive offices at the Georgia State Capitol as part of the Art of Georgia exhibit. Corporate clients include Atlanta Ballet, Atlanta History Center, Chanel Cosmetics, Christian Dior Cosmetics, Sharp Mountain Vineyards, PM Realty Group, Granite Properties, Road Atlanta, Patrón Tequila, Georgia's Own Credit Union, StubHub, CBM Records and The Washington Auto Show.